BitCoin and Institutional Investment

BitCoin and Institutional Investment

A bitcoin is a decentralized cryptocurrency that was created in 2009. It is therefore an electronic peer to peer cash system which relies on the blockchain ledger. In the blockchain technology, information is logged into blocks that streams it from one block to another using cryptographic code hash. Originally, bitcoin used black market transactions such as gambling, money laundering, and silk roads which allowed users to anonymously buy and sell illegal goods using bitcoins. Moreover, bitcoins are valuable because of their scarcity, utility, transportability, and divisibility. There are some other features that make the bitcoin different from the other forms of investments. These features are; lower inflation risks, liquidity, minimalistic trading, and new opportunities. However, there are some disadvantages of investing in bitcoins which include, the threat of online hacking, volatility, the risk of wallets being stolen, little regulations, and limited use of the bitcoins.

There are also other forms of bitcoin investment one of which is the institutional bitcoin investment vehicles which are as follows:

Grayson Investment Trust Cons which has $2 billion of bitcoin and it allows users to buy shares and profits. The second investment vehicle is the CME (Chicago Mercantile Exchange). It offers some options to bitcoin features which include; wide strike range, European expiry, and cash payout. The third investment vehicle is the Bakkt coin features which entail the European expiry, cryptocurrency exchange inspired platform, bitcoin payout and it is insured against hacking. Another investment vehicle is the Exchange Traded Fund (ETF) innovation. It is an investment fund which groups shares of stocks of similar businesses. There are two types of ETFs which are Innovation Shares NextGenc protocol ETF and ARK innovation ETF.

Lastly, there is still no 100% pureplay bitcoin ETFs. The Securities and Exchange Commission (SEC) is a body that enforcing federal securities laws for regulating stocks and options exchange including other activities and organizations in the United States. It is therefore important for ETFs to have SEC approval. Pureplay ETFs also emphasize on ease of investment and exposure to larger investment groups. Furthermore, the government needs to allow deep pocket institutional investment in the form of ETFs so as to rise the prices from where they are in the market today. In conclusion, bitcoin has no physical value and that is why it is referred to as the digital gold or the digital wallet and also known as the digital currency or cryptocurrency.

A report to Matt Bells In the House upon the Dirt between the Lake and the Woods

Name

Professor

Course

Date of submission

A report to Matt Bell’s In the House upon the Dirt between the Lake and the Woods

Matt Bell’s novel, In the House upon the Dirt between the Lake and the Woods is a very remarkable book. The book talks about love, marriage, and the challenges that come along when two people choose to stay together. The main characters in this book, the unnamed husband and his wife set out to start their marriage life far away from their home. As a result of this, the married couple departs to the wilderness, an untamed wilderness, where soon after they discover that it is not easy living there.

In deed, as Edna St. Vincent the poet writes “Love is not all,” this is true. There is more to love than what meets the eye and Matt Bell clearly shows this. As the couple starts their lives in the wilderness, the husband soon takes up his roles as the provider of the house while the wife tends to her husband. This is evident in the roles that the husband does, building a house as well as gathering food. As much as marriage is meant for companionship, recreation is also a very central part of it and this couple soon longs for children. Several times before their first born, the couple faces challenges resulting from crushed fetuses which drive the husband mad to the extent of eating one of them. With the boy at hand, the jealousy in the husband causes the wife to withdraw with the son from him and find a place where they will be safe. He is left alone in their house recalling what his father taught him about marriage life.

Personal reflection

The journey through this book was interesting as well as breathtaking. It takes the reader through a series of events that the author narrates in a way done by no other. The author in his uniqueness brings out a special way of expressing emotion of his characters. This is made possible by the way he brings fiction into his work, making it alive in the narration that surpasses all other fairy tale stories that are common with many fiction writers. The writing styles of Jorge Luis Borges and Italo Calvino are at some point evident in this book but Matt Bell has set out to bring an all unique trend in this work that has no forerun. His is purely different and no other author can claim precedence in this work.

In this work, Matt Bell narrates a story that is founded on love. Upon his narration, he takes the reader through a journey that is full expectations that are not met on the onset. With these disappointments, the husband and the wife open up to the reality that life is not easy and to make everything work, far away from the crowds, the parents and every one they knew, there have to be some challenges they must meet as a couple and overcome them if they are to achieve all they wished for in a marriage life.

Through the journey with Matt Bell, I have learnt that uniqueness is a must for any writer to make it in the writing industry. A writer has to dig deeper through his literature to define a solid stand that can only be familiarized with him. Having created this bench mark for oneself, it then becomes easy to work your way that will always leave readers begging for more, this kind writing creates an unquenchable thirst with every work the writer comes up with. As a fiction writer and a poet, Matt has done all this and his readers are always in need to know more from his upcoming book. This has enabled Matt to outsmart many of his fellow writers and is evidenced in the manner with which he has penned this book.

The style of writing found in this book is strikingly surprising. The author uses words that make the reader be part of the event that is going on. “I froze, afraid the bear would charge, and in my fear I for a breath forgot my wife; and in the next breath I remembered, flushed with the shame of that forgetting.” Any reader that goes through these words becomes thrilled and feels the nerve wrecking experience that the writer intentionally created to make the reader be part of the book, more or less like a 3-D experience. Though I have had several icons to look up to when it comes to writing, Matt Bell’s writing is awesome and none of it can relate to my writing. It is unique and very captivating, a writing style that can only be associated with Matt Bell. 

Look at several advertisements of approximate full-page length in magazines and newspapers.

Unit 13

Name

Course

Tutor

Date

For section 2 this is what the teacher wants on the ads. Look at several advertisements of approximate full-page length in magazines and newspapers. Analyze these advertisements according to the following points (1) Is the advertisement built around a central selling point? If so what is it? Is this theme carried from the beginning of the advertisement to the end? Do you feel that the feature chosen as the central selling point is an appropriate one? Why or why not? Can you think of another feature of the product or service that could be used as a central selling point? Is it also stressed in the advertisement?

The advertisement’s central selling point which is performance. It is an advertisement of a Jeep Wrangler showing how it is able to transverse through mountain peaks. The Jeep Wrangler is of high quality. This is shown by the shiny yellow color and the message that is portrayed is ‘The Ultimate Thrill Ride. What are you waiting for?’ This message emphasizes the Jeep Wrangler as the best ride for an adventure and persuades the reader to get one.

(2) Is the product or service described in terms of actual reader benefit? Give examples.

Yes. The advert shows snowy peaks and a small tent marked as ‘Sex Peaks’ this emphasizes that the target audience is mature couples who might plan for an adventure. Below the peaks is a high quality yellow Jeep Wrangler. Referring the Jeep wrangler as the ultimate thrill ride reflects the background that is thrilling. The advert is selective on the new user.

(3) Is humor used in the ad?

Humor is carried in the message ‘The Ultimate Thrill Ride. What are you waiting for?’ The yellow Jeep contrasts the snow white peaks. The title ‘Sex Peaks’ expresses the extent of thrill experienced.

(4) Would this ad make you buy the product, provided it is something you need, want, and can afford?

The advertisement is very persuasive and can influence me to buy the Jeep Wrangler since it emphasize on the performance of the ride even in the natural environment. If the ride is able to cross the mountain peaks, why not the smooth tarmacked road? The advertisement is appealing since it depicts snow white mountain peaks called the ‘Sex Peaks.’ this thrills the reader.

Works Cited:

Nature Magazine. Jeep Wrangler Advert. United States of America: Nature Publishing Group, (2002). <http://www.magazine-ads.com/JEP973.php>

Media, Race, Class, and Gender

Media, Race, Class, and Gender

Student’s Name

Date

Institutional Affiliation

Introduction

Media is a powerful tool that defines life’s realities. Media influences race, gender, and class, three of the most important organizing principles of society. In the current media-focused society, much of what people understand about race, class, and gender is based on the media’s narratives and images about these topics. The influence media has on people’s perceptions is a subject that has been explored for decades, and theories such as the cultivation theory and the associative priming theory show the different ways in which media influences and shapes positive and negative perceptions. While the media is largely seen to promote positive change in society, its depictions of race, gender, and class have widely been negative, resulting in discrimination. Over the years, different media forms have gained popularity with different generations of individuals; however, their narratives on race, gender, and class have been similar. Consequently, people are judged based on their race, their gender, and their social class. Negative racial stereotypes are the most persistent forms of discrimination that media has continually propagated over the years. These negative racial stereotypes have encouraged racism. As racism directly impacts social class, race, and gender, it is vital to understand how media has propagated this prejudice. Understanding how media influences racism is the key to creating viable solutions that can help solve this problem. Media is central to what represents class, gender, and race realities.

Influence of Media on Gender, Race, and Class

Today’s society is hooked on various forms of media. People constantly consume media content through print, broadcast, and the internet. The endless consumption of media content has made it such that media institutions are in control of the narrative. Everything people know, identify, and are concerned about is based on the images, texts, and symbols media institutions provide. Media shapes the way people identify themselves and their notions of gender, class, and race. Therefore, the narrative of what it means to be female or male, black, Asian, Latino, white, and poor or rich is a direct construct of media portrayals. Today’s social realities are narratives created and spread by the media.

People’s understanding of race, class, and gender is rooted in culture. Culture encompasses the social behaviors, beliefs, norms, knowledge, and customs of different groups of people. People use culture to give meaning to identity, relationships, and experiences. As media influences culture, it also influences the definition of gender, making it a social construct that dictates what it means to be a man or woman and the responsibilities and expectations tied to that title. Race is a social construct that has little basis in science. People use skin color, hair texture, and hair color to identify race. Racial categories are based on a region’s political, social, and economic dynamics. Class is a social construct in which people are grouped in hierarchical categories. Occupation, heritage, income, wealth, and education determine the hierarchical position people fall into. Individuals with these factors have greater access to power and resources, which places them higher in social ranks.

What people watch and read in the media is the source of stereotypes people have about individuals with seemingly distinct features. These perceptions are the root of racism, and they determine the kind of treatment different groups of people receive. The cultivation theory shows that long-term media exposure makes it difficult for people to distinguish reality from media fiction (Wright, 2018). The cultivation theory also shows that long-term media exposure shapes consumers’ behavior and perception. Therefore, the media widely influences how people conduct themselves and their perceptions and attitudes. Black men have long been portrayed as violent and dangerous in the media. This distortion in representation has directly influenced society’s attitudes and understanding of black males resulting in real-world negative consequences. For instance, the exaggerated depiction of black men as big, ill-tempered dangerous individuals is the foundation of the all-too-common belief and expectation that black men are dangerous and should be feared.

The associative priming theory shows that the media influences basic human beliefs and perceptions that affect people’s interpretations, judgments, and decisions (White, 2017). The associative priming theory explores media effects on people and how information from the media is stored in the human brain. This stored information is then stimulated into associative thoughts that dictate behavior and judgment. For instance, the media has long portrayed black men as gangsters and delinquents. This image has been stored in peoples’ minds for a long time. People who have never lived with black people or have black family members to alter this distorted depiction will only associate black men with crime and violence. Therefore, the long-term media portrayal of black men as dangerous builds an image of violent individuals and reinforces the belief that black men are to be feared. This associative negative image creates a society that constantly judges black men as violent delinquents.

One of the most obvious real-life consequences of negative media depiction of black men is the overrepresentation of black people in prisons. The US justice system is one of the largest globally, and it has the highest incarceration rates of any other country (Sentencing Project, 2018). The negative representation of black men has resulted in society overestimating the amount of crime committed by black people. This overestimation puts black men at a higher chance of being arrested and convicted. African American men are 5.9 times more likely to be arrested and convicted of crimes than any racial group. Also, while African Americans account for only 13% of the population, they make up 34% of the total population in prison (Sentencing project, 2018). Although crime statistics do not support the overrepresentation of black people in prisons with criminality, the constant portrayal of black men as criminals strengthens negative perceptions of race and crime. This image affects how society interacts with black people (Isom, 2017). African American women also fall prey to this stereotype. Of all the depictions shown of women in media, the black woman has long been portrayed as overbearing, aggressive, and ill-tempered (Cheers, 2017). This image is the basis of “the angry black woman,” an image that has negatively impacted the way society treats African American women.

The stereotypical media depiction of black people being dangerous has given way to racial discrimination. The media has created a culture that conditions the general population to view black people as dangerous; hence, it is common for black people to experience hate and discrimination. The US population is one of the most diverse globally; however, people are judged through a binary system that categorizes them as either black or white. The closer one’s skin color is to white, the more favorable they are treated. Dark and brown-skinned individuals are treated discriminately by society. For instance, due to the preconceived idea that dark-skinned individuals are criminals, neighborhoods with a large population of black and brown people are neglected as they are seen as dangerous. In contrast, areas that white individuals predominantly occupy are seen as safe, and they branded the title “suburban American dream.” Regions with this title are well maintained and have various social amenities. This form of discrimination is detrimental as it reinforces resentment and hostility.

Racial discrimination also affects access to health services. Strides in healthcare have ensured that Americans are living longer, healthier lives. African Americans have a lower life expectancy than individuals from other racial groups despite this progress. Systemic health disparities and the shortage of healthcare providers in health facilities in African American neighborhoods have made it harder for individuals in this racial group to access quality healthcare. Healthcare disparities are most evident among African Americans living in the south. A 2017 report by the US Department of health and human services office of minority health found that while 58% of African Americans lived in the south, a majority of them lacked health insurance due to draconian requirements as conditions to access medical insurance programs such as Medicaid (Taylor, 2019). These health disparities are also evident in health outcomes. African American women are more likely to die due to pregnancy-related issues than their counterparts in other racial groups. Infant mortality rates are also the highest among black children compared to children of different racial demographics (Taylor, 2019). Racial discrimination is also evident in the way healthcare workers treat black people. The media image that African American women are strong has made healthcare workers believe African American women are impervious to pain. Therefore, though an African American woman might explain the level of pain she is experiencing, her doctor is likely to dismiss her input. A 2019 study published in the American Journal of Emergency Medicine found that black patients were 40% less likely to receive medication for acute pain than their counterparts (Lee et al., 2019).

Class discrimination is another form of bias that the media propagates. Class discrimination is closely tied to racial discrimination hence the association between black people and low socioeconomic status. The media often depicts black neighborhoods as dangerous and poverty-stricken. This image paints the picture that these regions are dirty, and their inhabitants are low-income earners that lack education and manners. Children that grow up watching movies and films that depict black neighborhoods in this light develop a permanent bias against living in communities with black people. This negative image also creates a prejudice against black people and people that sound black. For instance, as society associates poverty with black people, people who are black or have black-sounding names are seen as poor. This association with poverty further limits the opportunities black people can access. For instance, regardless of levels of education, white Americans are more likely to get good-paying jobs than black Americans (Johnson, 2019). If black people get well-paying jobs, their white counterparts are more likely to get higher pay. Overall, white individuals receive higher income at all levels of education, an opportunity that is denied to black individuals (Johnson, 2019). Also, due to limited opportunities, black individuals are less likely than their counterparts to go to college, a factor that further affects the kind of job and pay they receive

Class discrimination and unequal treatment are also evident in how society perceives people from different neighborhoods. Growing up, most people have watched movies that depict predominantly black areas as poor. This imagery is a form of class and racial discrimination that directly associates poverty with black people and their neighborhoods. Individuals from perceived poor neighborhoods are likely to face discrimination based on their residential area. When making job applications, these individuals are likely to lose out on the positions and jobs they want because they come from the “wrong address.” This form of discrimination is also seen in how society treats people, depending on their name. Names are used as indicators of socioeconomic status. Black-sounding names are seen to belong to poor people, while white-sounding names are associated with white people. People with black-sounding names are likely to lose out on opportunities, while people with white-sounding names are likely to get opportunities.

The lack of diverse representation has also contributed to the prejudice media has depicted over the years. Until recently, media institutions excluded people of color from creating media content. This exclusion impacted media representation, resulting in inaccurate depictions of black people. For instance, in 1915, the film “Birth of a Nation” portrayed black people as morally degenerate delinquents that needed to be dealt with through groups such as the Ku Klux Klan. This film justified racism and created a tradition in which future films cast black people in limited, demeaning, and stereotypical roles that further stressed that they were dangerous (Garrett, 2017). Over time, negative media about black people has resulted in racial profiling. This form of discrimination affects the public’s view of people of color, fostering institutional bias. For instance, racial profiling is prevalent in the modern-day justice system. The criminal justice system often presumes that people of color are guilty of crimes without proof. This assumption has led to the fatal shooting and killing of several unarmed and innocent black men by police (Mesic et al., 2018). The deaths of Ahmaud Arbery, Philando Castille, and Botham Jean are examples of high-profile cases in which black men senselessly lost their lives due to racial profiling and mistaken identity.

Racial profiling is detrimental as it places people of color in a situation where they constantly need to explain and justify their identities in a manner acceptable to the white society. Social justice movements such as Black Lives Matter have emerged in response to the increased racial profiling cases. Black Lives Matter has coined phrases such as driving while black and living while black. These phrases show how white people and law enforcement officers harass black people as they go about their daily lives. The prominence of these phrases in media highlights how racial profiling affects the lives of people of color.

Racism In social media

Social media is the most popular form of media to exist. Close to half of the world’s population use social media. Some of the most popular social media sites include Facebook, YouTube, Instagram, and TikTok (Ortiz-Ospina, 2019). Each of these sites has more than a billion users. Though each of these platforms has unique ways in which users interact and share information, all social media platforms provide users the power to say what they want at the time they want. In addition to free speech, social media platforms also provide users with anonymity. While social media has enabled the ease in the spread of information, it has also turned into a platform that promotes racism. Anonymity has enabled users to create toxic online spaces that abuse and attack people due to their race, gender, and class (Linabary & Corple, 2019). Both overt and subtle racism thrives on social media. Overt racism in social media is most prominent among adolescents, and it involves the spread of rude texts and images that attack specific groups of people (English et al., 2020). Adults often make subtle racists remarks, and they mask these remarks as harmless comedic jokes. An example of subtle racism is the use of made-up names. These made-up names represent people’s assumptions of what a black person should be named. Other than racism, these made-up names are also used to indicate class disparities. Phrases such as “go back to Africa” are commonly used. As Africa has been depicted as a poverty-stricken region, individuals who use this phrase do it to tell black people that they belong to poor areas. These made-up names and phrases categorize black people as odd and low-income earners. They also tell black people that they belong to the bottom of the social class.

Racism In Film and Television

During the early to mid-1900s, white actors would apply black paint on their skins to depict black people. These actors would then portray their characters as lazy, illiterate, and uncivilized. This portrayal dehumanized black people and set the stage for modern biased attitudes and perceptions about black people in media (Dixon, 2019). Between the 1960s and 1970s, media networks started featuring black actors. By the 1990s, black families were portrayed in some media stations, with shows like the Fresh Prince of Bel-Air gaining national attention. Despite these advances, the representation of black people on media shows was skewed, and only a few actors got the opportunity to act in roles that did not depict media stereotypes.

Today, many media shows have black actors; however, the negative image of black people persists. For instance, modern sitcoms and reality shows perpetuate stereotypes such as black people being on welfare, black women being angry, and young black girls being prone to sexual promiscuity and early pregnancy (Dixon, 2019). For instance, reality shows such as I love New York, the Real Housewives of Atlanta, and Love and Hip-Hop commonly show that their black female casts are always aggressive. Also, these shows are heavily scripted to elicit drama and increase ratings at the expense of black women. These programs also depict their cast as being too loud, promiscuous, and materialistic, traits that negatively affect the image society has of black women. In addition to enforcing negative stereotypes, these shows also promote internalized racism. Internalized racism is evident in the adoption of behavior that mimics negative stereotypes (Speight, 2007). As black people watch these shows, they are likely to adopt these stereotypes and project the negative images they see of themselves.

Racism in Representation

People are influenced by what they see growing up. As children learn through visuals, their understanding of the world is based on the meaning their culture provides. Therefore, a child’s understanding of what gender, race, and class mean is based on the cultural representation their society and media provide. Positive representation results in positive attitudes, while negative representation results in negative attitudes. Over the years, American culture and media have used derogatory representation to describe black people. As a result, negative stereotypes persist, promoting hate and discrimination. Negative representation is a double tragedy as children of other races are taught to hate black people, and young black children equally learn to hate themselves. There is a need for increased representation of black people and black culture in the media to combat these negative effects. For instance, the Marvel Studios movie Black Panther introduced the idea that black people can be heroes. Black Panther also showed various positive aspects of black culture. This positive imagery showed black children that they could grow up to be anything they wanted. Therefore, positive representation is essential in changing people’s minds and reconstructing society’s narratives about people of color.

Conclusion

Media is central to what represents class, gender, and race realities. Over the years, media has helped create negative stereotypes about people based on their race. These stereotypes affect the way society views people of color. As highlighted above, the media has long portrayed people of color as dangerous, aggressive, and impolite. Black men are portrayed as dangerous, while black women are portrayed as aggressive. In addition, both black men and women have been depicted as poor and with low levels of education. The prevalence and acceptance of these stereotypes show that media significantly influences the meanings of race, gender, and class. As gender, race, and class significantly impact the lives and experiences of people, the media needs to start portraying people of color in a positive light.

References

Cheers, I. M. (2017). The evolution of black women in television: Mammies, matriarchs, and mistresses. Routledge.

Dixon, T. L. (2019). Media stereotypes: Content, effects, and theory. In Media Effects. Taylor & Francis.

English, D., Lambert, S. F., Tynes, B. M., Bowleg, L., Zea, M. C., & Howard, L. C. (2020). Daily multidimensional racial discrimination among Black US American adolescents. Journal of Applied Developmental Psychology, 66, 101068.

Garrett, M. A. (2017). Contemporary portrayals of blacks and mixed blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen (Doctoral dissertation, Iowa State University).

Isom, A. (2017). News Representation of Black Men, Post Black Lives Matter [Capstone Thesis]. Huskie Commons, Northern Illinois University, DeKalb, IL.

Johnson, E. (2019). Racial Inequality, at College and in the Workplace. Inside Higher Ed.

Lee, P., Le Saux, M., Siegel, R., Goyal, M., Chen, C., Ma, Y., & Meltzer, A. C. (2019). Racial and ethnic disparities in the management of acute pain in US emergency departments: a meta-analysis and systematic review. The American journal of emergency medicine, 37(9), 1770-1777.

Linabary, J. R., & Corple, D. J. (2019). Privacy for whom? A feminist intervention in online research practice. Information, Communication & Society, 22(10), 1447-1463.

Mesic, A., Franklin, L., Cansever, A., Potter, F., Sharma, A., Knopov, A., & Siegel, M. (2018). The relationship between structural racism and black-white disparities in fatal police shootings at the state level. Journal of the National Medical Association, 110(2), 106-116.

Ortiz-Ospina, E. (2019). The rise of social media. The University of Oxford. Retrieved from https://ourworldindata.org/rise-of-social-mediaSentencing Project. (2018). Report to the United Nations on racial disparities in the US criminal justice system.

Speight, S. L. (2007). Internalized racism: One more piece of the puzzle. The Counseling Psychologist, 35(1), 126-134.

Taylor, J. (2019). Racism, inequality, and health care for African Americans.

White, S. T. (2017). Associative Priming and Implicit Bias Towards African Americans.

Wright, T. (2018). Cultivation theory: Television and how it affects one’s perception of culture.

Medicaid Current Federal policy

Name

Institution

Date

Medicaid

Medicaid Current Federal policy

Medicaid was created by President Lyndon B. Johnson in 1965 to cater for the health needs of Americans who were not able to work. The program gives states the freedom to choose whether to participate or not. Nonetheless, all states participate. The Center for Medicare and Medicaid services have outlined parameters that states must meet in to receive federal funding. The Center also controls eligibility and the health care services covered.

President Barack Obama introduced a health care law that standardized Medicaid requirements, particularly so that many Americans making up to 133 percent of the poverty line could qualify. The law did not, however, make it because a Supreme Court intervention overturned it. States now had the option to expand Medicaid at will. 25 states succeeded in doing so, some did not (Alley et al, 2015). Since Trump became President, the eligibility of Medicaid became more diverse allowing states to include work requirements as a necessity for low-income and needy Americas covered under Medicaid.

Without including Federal matching funds, Medicaid uses up 20 percent of state spending. Every year lawmakers consider ways to improve the program in terms of cost-effectiveness, efficiency, and outcomes. The Affordable care Act allows states to expand Medicaid at will. The recent ruling by the federal district court that the ACA is unconstitutional, state lawmakers have an oncoming task.

How the policy has evolved over the years.

Since its signing in 1965, Medicaid has become a medical safety net for millions of Americans who may not be able to access health care coverage from any other source. Over the years, a long list of laws has adjusted the program adding services for various groups that were not initially included. The changes have also expanded the list of individuals eligible for Medicaid and added more care options catering to the poorest of the poor.

The program began as something known as the Elder-care program that later morphed to form Medicaid after small attention of legislative attention of three federal proposals, and serving primarily to satisfy the continued demand for more federal support for state healthcare programs. Because there was no careful attention to certainty and poor planning (Sommers, Arntson, Kenney, & Epstein, 2013). Unlike Medicare, Medicaid is a program jointly run by federal and state governments. Each state administers its own program following guidelines created by the federal government. The federal and state governments are responsible for funding responsibilities using a system that relies on the level of poverty in the state. Wealthier states receive 50 percent of the federal share and the poorest receive 74.7 percent of federal subsidies.

The lingering problems of Medicaid

As Medicaid uses a huge part of state budgets, policymakers are looking for ways to reduce the costs and to ensure that the program generates effective outcomes. The policy changes also look to ensure state programs are managed effectively. Over its half-century history, Medicaid has been a source for essential and evolving issues for the state as well as federal policymakers. Approximately one in five Americans receive Medicaid by 2017, which makes it the largest source for low-income families including women, children, seniors as well as people with disabilities.

Medicaid is, in principle, a program of public assistance but its design makes it extremely difficult to introduce cost-saving incentives that make recipients behave like consumers. Federal laws and policies limit to what extent cost-sharing states can impose on the people covered under the program (Polite, Griggs, Moy, & Lathan, 2014). While some states have succeeded in conducting financial incentive experiments that show promise like cash accounts managed by beneficiaries, any room that the state can maneuver is limited by federal policy. There has also been the issue of fraudulent enrollments and claims. This kind of abuse has been made more serious by the fact that the program caters to a class of beneficiaries that have little to no interest in cooperating with the efforts introduced to streamline medical vare and cut down long-term expenses.

In summary, the inherent flaws of Meducauid guarantees that the programs exploding costs will endanger the nation’s financial health. Just like social security and Medicare, this program represents an implicit promise of costly benefits, the cost that will grow beyond future revenues. Unlike Medicare and Social Security in terms of costs, the expenses of Medicaid in the future will not just appear on the books of the federal treasury under heavy debt. Medicaid is also the largest financial obligation of state governments, which most of the time are not allowed to issue debt on operating expenses. With the program already taking up a fifth of state operating budgets, its growth will mean that state taxes will go higher, and the budget for basic states services such as public safety and education or both will be reduced.

The case of California illustrates this concern. California is one of the hardest-hit states with a $20 billion budget deficit since 2013. Despite this, the state was facing a 25 percent increase in its Medicaid obligation by 2014, which meant the taxpayers would have to add an additional $2 to 3$ billion on the budget every year. The sustenance of current programs has become such a huge problem and it appears that states no longer have the capacity to move forward in the current environment.

It is crucial to note that Medicaid is not a health-care program but one of the biggest components of the nation’s welfare state outweighing cash assistance, housing aid, and food stamps in terms of dollar value. Like these three programs, Medicaid in a number of times provides implicit discouragement to work, since one loses eligibility for such an important benefit following an increase in income. Unless policymakers introduce reforms to end the general cycle of dependency-they can apply fixes that have proved useful in other areas of welfare, such as time limits and work requirements. However, Trump’s imposed the requirements that work should be part of the requirement for eligibility was overruled by the court which means the string incentive against moving up the economic ladder still exists. Refusing work, or accepting jobs that are without long term commitments or are off the books is the current rational choice for families facing the high actual tax rates created by the eligibility requirements for Medicaid. Obamacare is believed to have heightened this problem.

How Congress should deal with the issues

Meaningful reform of the system will require the reduction of its size, scope, and cost to taxpayers. The idea should be to increase self-reliance among the middle class and to remove disincentives that hinder low-class Americans from moving to the next economic level. The power should not be concentrated on the federal government but should be returned to states, local institutions, families, and charities. The may goals should be to ensure that the most in need of public resources actually help the most in need of such kind of assistance. Congress should divide the work into four key elements.

Medicaid should be converted into a more specialized program assisting those with chronic mental or physical problems who are, for all practice commitments, areas of the states. This was after all the original idea that led to the establishment of Medicaid half a century ago. It is important to categorize individuals who are most likely to depend on the state for a prolonged period due to chronic conditions and healthy people who have lost their job and other short-term emergencies, who find themselves without health coverage or any savings. The program should be focused on the former and not the latter, efforts to cater for the needs of those people who are able to work and contribute to society should take a different form and should be designed to create just the safety net required for when required. Congress should revise eligibility standards accordingly, adding an isolated program to make private health insurance premiums more affordable for contributing members of the society.

States should be awarded more latitude to try out more initiatives to coordinate care to be able to effectively manage the remaining Medicaid caseload that will last for a long time. States should be allowed to experiment with both the practice of medicine and the practice between the program and other state entities. What this means is that state agencies should coordinate to avoid creating huge costs for one another-for instance, when a patient eligible for Medicaid suffering from severe mental illness goes of medication, cause a public disturbance or commits a crime, they are arrested and taken to jail before being transported to a psychiatric hospital. Tracking this movement can help reduce these destructive cycles.

Congress revising the Medicaid policies to allow states to experiment with various initiatives allows states to avoid things such as the myth of prevention savings. The myth of prevention savings is the idea that front end expenses lead to back end savings. For instance, preventive medicine is often beneficial in the prevention of chronic conditions such as diabetes or heart disease. However, decades of data have shown that preventive medicine is quite expensive and such an approach does not save money (Baicker et al, 2013). Most people that take these preventive measures would not develop the conditions that they took preventive medication for even if they did not. As a result, the cost of Medicaid does not match the financial benefits. Preventive care should not be considered a savings but an expense.

References

Alley, D. E., Asomugha, C. N., Conway, P. H., & Sanghavi, D. M. (2016). Accountable health communities—addressing social needs through Medicare and Medicaid. N Engl J Med, 374(1), 8-11.

Baicker, K., Taubman, S. L., Allen, H. L., Bernstein, M., Gruber, J. H., Newhouse, J. P., … & Finkelstein, A. N. (2013). The Oregon experiment—effects of Medicaid on clinical outcomes. New England Journal of Medicine, 368(18), 1713-1722.

Polite, B. N., Griggs, J. J., Moy, B., & Lathan, C. (2014). American Society of Clinical Oncology policy statement on Medicaid reform. Journal of Clinical Oncology, 32(36), 4162.

Sommers, B. D., Arntson, E., Kenney, G. M., & Epstein, A. M. (2013). Lessons from early Medicaid expansions under health reform: interviews with Medicaid officials. Medicare & Medicaid research review, 3(4).

Looking For Leroy

Looking For Leroy

Introduction

Issues pertaining to racism and racial stereotypes have always made a popular topic in the contemporary human society. Indeed, it goes without saying that racism is embedded in the United States fabric especially considering its history with slave trade. As much as slave trade may have been abolished more than a hundred years ago, the stereotypes that were created at that time as pertaining to the characteristics, physical attributes and mental aptitudes of individuals on the basis of the color of their skin are yet to be completely eliminated (Tatum 13). Needless to say, individuals of African origin or rather African Americans have been on the receiving end of these stereotypes. There have been misconceptions as to the fact that they have considerably low mental aptitudes and are significantly more emotional than their white counterparts. This, undoubtedly, has had a bearing on the treatment that they receive in the workplaces, their economic situations, earning potential and even the manner in which the criminal justice systems treat them (Tatum 15). Even more demeaning are the stereotypes pertaining to their body structures and what they would mean. Indeed, the society has come up with perceptions as to what a perfect body structure for African Americans entails. In essence, any individual whose body structure does not adhere to these stereotypes would have certain misconceptions formed about him. These misconceptions may revolve around the individual’s sexuality, his nature, temperament, intellectual aptitudes, as well as whether they are criminals or not. This is the topic around which Mark Anthony Neal’s book named “Looking for Leroy: Illegible Black Masculinities” is centered.

This book makes for an engaging, as well as a provocative analysis pertaining to the complicated manner in which black masculinity has persistently been read and misread by the American popular culture in the contemporary human society. Neal underlines the fact or notion that black boys and men are, in a profound way bound by and to their legibility. The term legible, in this case, would be used to underline undesirable bodies or bodies whose structure would trigger a negative image. In this case, “legible” black male bodies would, in many instances, be rendered as criminal, or rather bodies that are in need of containment, as well as constant policing. Neal, in an ironical twist, argues that this type of legibility comes as a desirable relief to the white America as it offers easily identifiable images pertaining to black men in an era that is characterized by shifts in gendered, sexual, as well as racial identities. Indeed, Neal underlines the far-reaching likelihood pertaining to rendering legible black male bodies, or rather bodies that appear too real to the larger majority of the contemporary human society, as illegible, while, at the same time rendering the illegible black male bodies, the type or side of black masculinity that many would find it difficult to believe are real, as legible.

While varied factors may have played a role in the proliferation and the continued existence of these stereotypes, it is evident that the largest part of the blame would go to the media. Indeed, Neal Notes that there exists a troubling connection between the manner in which the media portrays black males and their lowered opportunities in life. There exist distorted or imprecise portrayal patterns, as well as causal links between the manner in which the media portrays black males and the attitude of the public towards them. Indeed, black males are underrepresented in the corporate media, and in instances where they appear, their positive associations are relegated to the periphery while their negative connotations are amplified in a manner that shapes public imaginations that result in increased antagonism towards African American males especially with the belief that they have violent and criminal inclinations.

In the examination of the role of the media in reinforcing disintegrating these stereotypes, Neal undertakes the analysis of the movie “The Wire” and especially the Bell character in the movie as played by Idris Elba. While there exists many movies that depict black men, “The Wire” distinguishes itself in the fact that it explicitly suggests that the dominant social, economic and political constructs that the contemporary human society has held onto are no viable any more (Neal 88). In fact, this may be the reason as to why the movie performed dismally, as the brilliance that Bell (portrayed by Elba) exudes, criminally or otherwise, is rarely related with characters of black origin on cable television or even network. Indeed, the movie drew its biggest fans from individuals that identified with the characters in question, as well as its critics.

One of the characters that challenge the notions that have been created by the mainstream media is Omar. Neal notes that the movie’s production team went against the grain in coming up with a character whose hypermasculinity and homosexuality is firmly established thereby allowing him to emerge as the ground for numerous projections (Neal 93). He is marked as having a queer identity especially considering the connection across the unfixable and unfixing social and political positioning against “heteronormativity”. Neal acknowledges that the character presses the boundaries pertaining to the portrayal of black masculinity on television (Neal 93). His brilliance especially in court is bound to raffle feathers especially with regard to the mental aptitude of black men. Indeed, this may be portrayed by the fact that he offers some help in the waiting room to a white court officer who is trying to fill a crossword puzzle and gives the correct answer to the question on the Greek god of war. This is definitely bound to ruffle feathers as it may be indicative of the fact that black people have equal if not higher intelligence levels or mental aptitudes than their white counterparts (Neal 94).

In addition, the movie’s depiction of Bell is a challenge to the commonly held conventions. As much as Bell is functioning in the drug world under Barksdale, he comes with a corporate demeanor that is yet to be accepted in the minds of a large number of people in the contemporary human society. He is evidently intelligent, skilled and disciplined, something that is far from the conceptions that are held pertaining to black men. Indeed, the fact that he undertook a business course creates the notion that he has a worldview that cannot be contained by the corners controlled by Barksdale’s empire. Of particular note is the manner in which his capabilities are brought out after the incarceration of Barksdale. The manner in which he takes over the drugs trade gives him the capacity to create an aura of independence in his operations, which safeguards the capacity of the business to grow within a short time. In a dispute where he is admonishing employees who do not seem to be concerned about their jobs, Bell exudes confidence as he applies some theories that he was taught in the business school to create an impression as to how their ineptitude would hurt customers and the business at large in the long-term (Tatum 45). This underlines the fact that black people have the capacity to profitably run businesses just as their white counterparts, as well as grasp economic and academic concepts and apply them in their businesses to safeguard their profitability. His flexibility is underlined by the fact that he has different magnitudes of social and cultural capital that allows him to function and transition rather effortlessly in different spaces (Neal 101). These are all things that may not be expected of black people.

In conclusion, racism and stereotypes have been controversial topics. Blacks, unfortunately have been on the receiving end of these stereotypes, thanks to their root in slavery. These stereotypes are used to determine the mental aptitudes of individuals, with Mathew Neal stating that the bodies of black male may be used to characterize them in line with their sexuality, intelligence or even criminal nature. However, the book undertakes an analysis of varied movies that have challenged these stereotypes that are primarily propagated by the media. Of particular note are the characters in the movie “The Wire” whose mental aptitudes seems to challenge that of their white counterparts. Omar assists a white officer in filling a crossword puzzle, thereby challenging stereotypes on their intelligence. In addition, he comes off as brilliant in the manner in which he presents evidence in court. The managerial skills and business acumen of Bell challenges these stereotypes especially considering the profitability he drives in the company.

Works cited

Neal, Mark A. Looking for Leroy: Illegible Black Masculinities. , 2013. Print.

Tatum, Beverly D. “why Are All the Black Kids Sitting Together in the Cafeteria?”: And Other Conversations About Race. New York: Basic Books, 2003. Print.

Bird by Maya Angelou

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The Theme of Oppression in Caged Bird by Maya Angelou

Published in 1983, Maya Angelou’s poem Caged Bird describes two opposing experiences of two birds: one bird suffers in captivity while another bird is free to live as it pleases. To cope with the circumstances, the caged birds result in singing, indicating freedom. The author employs the metaphor of two birds to paint a picture of oppression that showcases the simultaneous suffering of the birds. Particularly, the poem portrays the experiences of African American communities in society. This text explores the dominant theme of oppression as `depicted in Caged Bird by Maya Angelou.

The first demonstration of freedom is in the comparison and contrast between the free bird and the bird being held prisoner. Part of the reason behind the justification is that it passes across the message of oppression. The poet uses the term caged bird throughout the text and narrates it is trapped in a narrow cage. The bird has limited mobility and is left with no option apart from singing about freedom (Saputri, 78). Worth noting, the term “caged bird” represents an extended metaphor particularly for the African American community past characterized by systemic oppression in the United States. The poem also portrays the oppression experiences of the African American community. The term ‘caged bird” captures the overwhelming cruelty and agony of oppression of the marginalized group by speaking to the bird’s emotional suffering.

The author, Maya Angelou, employs the metaphor of the caged bird to not only show oppression but also show how physical and emotional limitations affect oppressed people. In line 10 of the poem, the speaker notes that the caged bird could barely see through the bars (Zaini and Mohsin 13). At first, it seems as if the poem will proceed to talk about how the cage stands in the way of the bird’s sight. However, the poem proceeds to talk about the bars that hold the bird captive as bars of rage. The bird is a prisoner and there exist physical bars insight which the bird rarely sees. The reason is that the bird is blinded by rage. Through showing the limits that are imposed by the bars and the emotional effect of those limits, the author makes it clear that anger and the environment cannot be separated from each other. The oppression in the cage is not enough to keep the bird captive because captivity transforms the bird robbing itself of its very self.

The poem’s main point in showcasing the bird singing is to highlight sadness that comes with the oppression. Historically, most people that defended slavery and other forms of oppression among people of color argue that song and dance was part of the black culture. It was an indication that people of color were contented and happy with their oppression situation. The notion that such music might have been an expression of emotional and cultural was ignored. The poem however disputes that the music was a symbol of contentment. On the contrary, the poem does not concede to the racist and convenient interpretation of black songs by their white oppressors. Rather, it insists that anguish forced upon African-American communities must be acknowledged.

In closing, oppression is the main dominant theme in Maya Angelou’s poem Caged Bird. The speaker uses this the metaphor of the caged bird to push the theme. Unlike the free bird, the caged bird has never tasted freedom and there is nothing that his spirit yearns for more. Maya Angelou insists that music was a symbol of emotional confinement and it is important to acknowledge the oppressions that African-American communities have gone through in the past.

Works Cited

Saputri, Gisa Maya. “Racism towards African American community as reflected in Maya angelou’si know why the caged bird sings: black aesthetic criticism.” rubikon: Journal of Transnational American Studies 8.2 (2021): 78-90.

Zaini, Qudsia, and Mohsin Hasan Khan. “Maya Angelou’s Battle with Alienation in I know Why the Caged Bird Sings.” AWEJ for Translation & Literary Studies 5.1 (2021).

A Research on Sexual Assault

Research on Sexual Assault

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Proposed Research Topic: Sexual molestation and abuse against minors damages the undeveloped body of the victims and their undeveloped mind causing life-long suffering to the unfortunate victims.Introduction

There are categories of crime that affect the community as well as their victims such as rape, sexual assault, and other sex related crimes. In the very way we lead our lives and raise our children, the impact of sexual crime, rape and assault can be seen. This is because these crimes affect our overall sense of safety. The media today is full of constant baggage of violence and sex. For someone to have the trend of what is going on, he only needs to read the newspapers or watch TV. The coverage on sexual assault and crimes can become saturated particularly when the crime is high profile in nature and the offender or victim well known in the community. It becomes even worse if there are multiple victims of sexual assault, and the crimes being committed by serial offenders operating within a particular jurisdiction. It however important to understand that the problems of sexual assault and rape are far much worse than the fear they bring to many and the terrible nature of the crimes themselves. It is the community reaction coupled with the crime itself victim’s stereotypes and many myths which make investigations on these crimes so difficult and prosecute. This is because many people live in denial of the occurrence of these crimes in the society, at times the people involved are well known and respectable figures in the society. Another problem that arises is the general understanding of the term “sexual crime” bringing in a general stereotypical understanding of sex crime. When we think of sex, we think pleasure, warmth, love, emotions and many more of the kind. Prople on the other hand perceive that crime is associated with violence, anger, devastation, and fear and it is associated with theft, burglary, murder and the like.

Definitions

Looking at sexual assault in legal terms, it is a statutory offence in various jurisdictions including the US, Canada, Scotland, Wales, and England and its definition determined by each jurisdiction. There are jurisdictions that use highly technical or detailed definitions of the term sexual assault. Generally, sexual assault refers to any involuntary sexual act where someone is physically forced or coerced to take part or engage against their consent or will. It may also involve non-consensual touching of a person. It includes rape, groping, forced kissing, child sexual abuse and torturing a person in a sexual manner.

It is very important to carry out sexual assault research because statistics carry significant power of persuasion. These researches provide accessible and instant way of grasping the extent as well as nature of social issues. It is worth noting that ant statistical data has a complex methodological history that reflects how it should be used. This research helps in determining barriers to disclosure, low rate of reporting to the police, varying definitions of sexual assault and abuse, the effects of sexual assault to the victims and the factors leading to sexual assault.

To the victims of sexual assault this research seek to educate them on possible ways dealing sexual assault crimes and the steps that should be taken when one has been faces with such an assault. This research encourages sexual assault victims to always make reports to the relevant authorities and also helps educate them on how to live with it.

Thesis Statement

The personal intimate nature of sexual assault and violence has made it very difficult to detect despite being widespread across many societies. Children, relatives, friends and neighbors should be trained to identify and report incidences of sexual assaults and violence if ways of controlling this crime are to be developed and the crime controlled effectively. On the other hand this violence cannot be categorized as personal crime since the victims always suffer from depression, stress, poor health among others. Alcohol and increased use of drugs leads to increase of sexual violence and assault especially in the collage going group. Though there are many proposals of innovative methods of dealing with sexual assault in the US, this problem still persist. Sexual assault makes the sufferer feel rejected, less productive and isolated.

Background

In the past sexual violence was considered to be something only happening to the women during war and peace times especially in the ancient Greek in the 20th century. This contributed to negligence of all indicators of the methods, aims and magnitude of the violence was. It started being considered a minor issue and became criminalized towards the end of the 20th century, with a wider concentration and focus on the victims. There are so many myths about sexual violence and assault. These myths continue to perpetuate in today’s society because they have been socially accepted. Many of these myths have put blame on the victims of sexual assault and minimized the responsibility of the offender. The seriousness of the offence has also been neglected by these myths leading to the victims of sexual assault left feeling isolated and neglected. With this condition, they feel ashamed and have no support to begin the healing process. It is very important to understand these myths on sexual assault as they help in support and treatment of the victims. In order to reach our goal of ending sexual violence, we should dispel these myths surrounding sexual offense and hold the offenders accountable. Some of these myths are: the belief that sexual assault won’t happen to me or to anyone I know; the belief that sexual assault is provoked by the victim’s behavior or by the way they dress; the belief that most sexual assaults occur between strangers; the belief that sexual assault only occur in the dark; the belief that men cannot be sexually assaulted; the belief that most sexual assault occur because of uncontrollable impulsive act; the belief that people who commit such acts are mentally ill; the belief that those that do not fight back have not been sexually assaulted.

Discussions

There have been no or few hard data on sexual assault and violence in the hands of the law enforcement and policy makers to base the responses of sexual violence and assault until of recent. The national Incident Based Reporting System (NIBRS) has captured a wider range of information and data on the cases on sexual assault that have been reported to law enforcement. There have been two researches extracted from 1991 with the aid of 1991 NIBRS files that has summarized the data collected from 60991 victims of sexual assault and another summarizing the information on 57752 people believed to be the offenders. From the information collected, 67% of the assaults are against juvenile victims and these juvenile victims are more likely to be male. Out of 6 cases of sexual assaults on juvenile victims, 5 occurred in the residents. On the other hand crimes on adults were likely to occur anywhere. Out of the total number of cases in this research 60 % of the offenders were adults offending the underage of 12 years and below and most of the offenders were well known to the victims. According to the research assault on children of age 6 and below are likely to go unreported or the offenders released,( Snyder, 2000)

Though widely condemned, sexual abuses on children have been more prevalent than realized previously and the offenders do not admit to have committed the assaults. In such a situation only the child’s testimony can be the evidence. Children are believed that they cannot participate in such legal proceedings without trauma, and also since they are not adults. This is according to the members of the criminal-justice system. There are barriers effective to successful completin of assault cases against children. Such barriers include the ability of a child not to speak and give the actual scenario, children not able to participate in legal proceedings on the grounds of not being as credible as adults. Organizations such as the Children Aid Society of Ottawa can help bring a case on children sexual assault against the offender. The CAS workers can investigate the allegations based on the information provided to them by the parents of the children. The worker as part of the investigation may involve the police and other authorities to protect the children Berliner (Berliner, 2010).

For the past 20 years or so, different researchers have brought forward reports indicating widespread problem of rape in the American social setup. Many researchers have concluded that nearly one out of four women is raped in their life time. This causes long term health problems and physical distress among women. According to many researches, the assault impacts go far much than the victims. Also affected are their families and friend and also even neighbors. Another group that is also affected is those who help the assault victims like the advocates, therapists and researchers who may experience vicarious trauma. Methods should be developed to prevent sexual assault and focus put on improving community response.(Campbell, 2005)

There have been arguments from some feminists that myths on sexual assaults constrain the reporting of these assaults to the authorities. It is true that myths have been widely accepted by different societies and they play a big role in preventing report to the police. There are many myths that come up with sexual assaults. Some of these myths are: the belief that sexual assault won’t happen to me or to anyone I know; the belief that sexual assault is provoked by the victim’s behavior or by the way they dress; the belief that most sexual assaults occur between strangers; the belief that sexual assault only occur in the dark; the belief that men cannot be sexually assaulted; the belief that most sexual assault occur because of uncontrollable impulsive act; the belief that people who commit such acts are mentally ill; the belief that those that do not fight back have not been sexually assaulted. With the analysis of 186 sexual assault cases at the hospital based sexual assault care in 1994 with the aid of logical regression, a positive association was identified between reporting of these assaults to the authorities and overtly violent components of real rape myth, occurrence of physical injuries and use of physical force. (Mont Du Janice, 2003)

There are sexual assault prevention programs offered by North American Universities that focuses on attitude change. According to these programs, the most effective sexual prevention technique is self-defense training however not considered as an integral component of typical prevention program (Söchting, 2004).

In spite of the fact that the criminal equity framework has experienced change to dispose of sexual assault case steady loss and to enhance the general treatment of rape exploited people, few studies have analyzed the impact of these changes. In this study, the creators look at prosecutorial charging choices over two remarkable purviews: Kansas City, Missouri, which uses a particular unit for rape cases, and Miami, Florida, which does not utilize a specific unit to focus the impact of prosecutorial specialization on case results. The discoveries of the study uncover that, regardless of contrasts in departmental arrangements and rates of supplication dealing and trials, prosecutors’ charging choices and the indicators of charging are comparable in the two locales. The creators reason that, paying little heed to whether choices are made in a specific unit or not, victimized person validity is a genuine “central concern” of the prosecutor in rape cases (Beichner, 2005).

According to the Rennison Marie’s study on the assault cases reported to the police between 1992-2000, on the victims that were injured and treated from completed rape, attempted rape or sexual assault. The research indicates that of all rape, 39 % of attempted rapes and 17% of assaults against females led to injuries. The reports were most likely to be done by the victims. 45 % of injured female victims reported attempted rape as compared to 22 % injured of unreported attempts received medical care (Rennison Marie, 2002).

Meta-examinations of the adequacy of school rape training projects on seven result measure classifications were directed utilizing 69 studies that included 102 treatment mediations and 18,172 members. Five of the result classifications had critical normal impact sizes (i.e., assault demeanor, assault related disposition, assault learning, behavioral aim, and occurrence of rape), while the result regions of assault sympathy and assault mindfulness practices did not have normal impact sizes that contrasted from zero. A critical finding of this study is that more drawn out mediations are more successful than concise intercessions in changing both assault state of mind and assault related mentality. Mediator investigations likewise recommend that the substance of programming, kind of moderator, sex of the group of onlookers, and sort of gathering of people may additionally be connected with more prominent project adequacy. Suggestions for exploration and practice are examined (Anderson,2005).

Conclusion

In conclusion, it has been very difficult to measure the actual and true extent of sexual violence against women. This is because most of the cases of assault go unreported. Approximately 36 per cent of female sexual assault victims usually go unreported to the authorities. Only 19 percent of the sexual assault victims report to the police. The main factors behind the hidden figure of sexual assault are disclosure and issues of prevalence. The most sexual assault victims are female and most assaults occur at home and it is a crime that is on the rise, growing steadily in the US though many studies indicate small decrease in the number of sexual assaults and rape cases in the US.References

Anderson, L. A., &Whiston, S. C. (2005). SEXUAL ASSAULT EDUCATION PROGRAMS: A META‐ANALYTIC EXAMINATION OF THEIR EFFECTIVENESS. Psychology of Women Quarterly, 29(4), 374-388.

Beichner, D., &Spohn, C. (2005). Prosecutorial charging decisions in sexual assault cases: Examining the impact of a specialized prosecution unit. Criminal Justice Policy Review, 16(4), 461-498.

Berliner Lucy &Barbieri Kay Mary. (14 APR 2010). The Testimony of the Child Victim of Sexual Assault.Social Issues (40)2, 125-137.

Campbell, R., & Wasco, S. M. (2005).Understanding rape and sexual assault 20 years of progress and future directions.Journal of Interpersonal Violence, 20(1), 127-131.

Mont Du Janice, Miller Lee- Karen &Myhr L. Terri. (April 2003). The Role of “Real Rape” and “Real Victim” Stereotypes in the Police Reporting Practices of Sexually Assaulted Women.Violence Against Women, 466-486.Rennison Marie Callie PH.D. (August 2002). Rape and Sexual Assault: Reporting to Police and Medical Attention. 1-4

Söchting, I., Fairbrother, N., & Koch, W. J. (2004).Sexual Assault of Women Prevention Efforts and Risk Factors.Violence Against Women, 10(1), 73-93.

Snyder, Howard N. (2000-07-00). Sexual Assault of Young Children as Reported to Law Enforcement: Victim, Incident, and Offender Characteristics. A NIBRS Statistical Report. 1-22

BIPOC Research Paper

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BIPOC Research Paper

Introduction

Background Information: Hamilton’s American musical portrays a post-racial perception of America’s society. The musical achieved this by intentionally using non-white characters in parts where the production group should have used white casts. By using this strategy, the musical has received numerous reviews from its viewers to be the best musical ever made, further indicating the public’s acceptance of intentionally avoiding the use of white casts and a shift to a post-racial society.

Relevant History: Hamilton was produced by Broadway Production Company that has historically supported white supremacy with its premium pricing, indicating the company’s acceptance of a post-racial society.

Relevant History: the production of the musical aligns with the then-president Barrack Obama’s re-election, further dwelling on the country’s acceptance of a post-racial society

Hypothesis or thesis: This paper shall counter the argument that Hamilton depicts a post-racial society by analyzing reviews, literature, and music from the performance, hoping to shed light on why Americans continue to pursue the post-racial narrative, the impact of minority representation in art on larger political discourses, and the importance of inspiring future “Hamiltons” in contemporary American culture through Hamilton: An American Musical and contemporary research.

Main Idea: Continued racial discrimination within post-racial societies.

Supporting Topic: Continued racial discrimination in cinemas despite claims of the existence of post-racial societies.

Even though Broadway has been called “The Great White Way” without reference to race, scholars have given it a second connotation owing to its high cost (Umehira 3). In the United States, white people have the most direct and indirect access to that level of wealth.

This historical trend has persisted until the current day. Caucasians bought 77 per cent of all tickets sold in 2015–2016 (Umehira 4). B.

Supporting Topic: Struggling Acceptance of non-white performers in cinemas

Lin-Manuel Miranda used non-white performers in white parts on purpose, so non-white actors portray white people in Hamilton. African-American performers Daveed Diggs, Christopher Jackson, and Leslie Odom Jr. played Thomas Jefferson, George Washington, and Aaron Burr, the Marquis de Lafayette. Miranda played Alexander Hamilton, while Ramos played John Laurens and Phillip Hamilton. Both Miranda and Ramos are of Puerto Rican heritage. Hamilton’s earlier productions, including those on Broadway, have employed a non-white casting technique

There is still outrage following the casting call for “non-white performers,” Hamilton producers declared they would continue to cast the production with the same ethnic diversity that had been employed up to that point

Supporting Topic: Importance of Inspiring Future “Hamiltons” in Contemporary American Culture

Diggs and many others depend on rap, or “the voice of [his] generation and people of colour,” as the show’s dominant musical style (Mead, 23). Diggs, an African-American, understands the importance of these images in the lives of ethnic minorities. It is vital for people of colour to claim and identify with a tale that they were previously excluded from since this produces a more inclusive narrative for everyone.

However, as per the arguments, the past is crucial and may influence how people of colour perceive historical tales like Hamilton’s.

Supporting Topic: Americans continue to pursue the post-racial narrative.

It is vital for people of colour to claim and identify with a tale that they were previously excluded from since this produces a more inclusive narrative for everyone. Therefore, as per the arguments, the past is crucial and may influence how people of colour perceive historical tales like Hamilton’s.

Supporting Topic: Questioning post-racial trends in cinemas

While Hamilton’s efforts to hire non-white individuals are commendable, the program as a whole has flaws. In my perspective, Hamilton’s portrayal of American History was typical of whitewashed History. Hamilton’s characters are entirely white, despite the reality that the bulk of the cast members is black. Research portrays Hamilton’s advantages as a white man deepen this difference.

Miranda claims that Hamilton can “write his way out of his circumstance in the documentary Hamilton’s America.” His song “Hurricane” has him sending a letter about the storm that destroyed his Caribbean house and convincing community members to donate money to let him study in the North American colonies. Throughout the Revolutionary War, George Washington wrote love letters to Eliza as well as the Federalist Writings, legislation, and other papers explaining his financial and banking goals for America.

Supporting Topic: White community is still more socially privileged than black communities

The capacity to “write his way out” was, in my opinion, a combination of privilege and chance. Research contends that Hamilton benefited from both the late-eighteenth-century and contemporary white privilege regimes. Racial, social, and other political and cultural barriers may prohibit Hamilton from achieving professional success in a broad range of fields, including politics.

People of colour encounter challenges in their personal, professional, and political lives. The persistence of these obstructions undermines the post-racial concept that barriers to people of colour have been removed.

Supporting Topic: Masquerading of racism within post-racial societies.

But white privilege isn’t the only distinction between white and black life. Hamilton avoids many awful difficulties. The drama portrays Hamilton as an enthusiastic abolitionist, which is false. In “Cabinet War #1,” a rap battle between Hamilton and Jefferson, Hamilton proposes allowing the federal government to buy state debts. “Hello neighbour, here’s a civics lesson from a slaver,” the slaver says (Miranda, 44). This is how John Laurens explains his new position in the American Revolution: We publish anti-slavery articles, and every day is a test of our friendship and fortitude. (Miranda, 44). In these songs, Hamilton is portrayed as a staunch anti-slavery activist, which he was not (Scherr, 34).

Slavery was a political and personal concern for Hamilton, which revealed slaves were purchased and exchanged (Scherr, 26). Hamilton’s desire to climb the social ladder overshadowed his fervour for abolition, according to Michelle DuRoss, a lecturer at the University of Albany (“Somewhere in Between”). According to her, he was able to fit into the wealthy slaveholding milieu he desired by marrying into the aristocratic Schuyler family.

Supporting Topic: People of colour denied political coverage in America’s political History

In “The Chamber Where It Happens,” Burr conveys his wrath and desire to be in the “great old room” with Madison, Hamilton, and Jefferson. “Only the two Virginians and the foreigner were in the room,” Burr adds. To be fair, Slaves did serve and prepare the meal in “The Room Where It Happened,” which Jefferson hosted.

Slave-talking characters are removed from the musical’s historical tale. Slavery was abolished by Hamilton, confirming the Anglo-centric History taught in public schools. The absence of colour characters in Hamilton perpetuates the myth that people of colour have no stories to tell, no part in American History, and no place in today’s society (Scherr).

Supporting Topic: Racial discrimination against immigrants

In a harsh political climate, Hamilton’s immigrant status is frequently cited, empowering immigrants. Hamilton went to America to study. Being Born in Saint Kitts, in the West Indies. For Miranda, “Hamilton’s America” means “working twice as hard to go half as far”. “Immigrants / We get the job done,” says Hamilton and the Marquis de Lafayette in the musical’s most iconic moment.

According to Emory University sociology professor Frank Lechner, Hamilton shows that even immigrants may achieve the American Dream, counteracting current anti-immigration and anti-Latino propaganda.

Supporting Topic: Unequal distribution of people enjoying the American dream

Miranda’s depiction of Hamilton’s immigration experience is uplifting for Latinos. Until Hamilton, she had never pictured herself in a Broadway musical or identified with American History in the way that many minorities do. In her Hamilton review, Ariana Quiónez remarked, “With a Latino actor portraying an immigrant on Broadway.”

However, such encouraging replies feed the post-racial narrative. In reality, the portrayal of white people vs black people is unequal.

Supporting Topic: Conflicting political interests on race in post-racial societies

The musical’s depiction of people of colour went beyond Broadway. The appearance of Vice President Mike Pence at the musical was remarkable (Mele and Healy, 24). Brandon Victor Dixon, who portrayed Aaron Burr that night, sent Pence a note from the cast expressing concern about Trump’s leadership (Mele and Healy, 26).

On social media, many Trump fans, including Trump himself, criticized the ensemble for making a statement after Trump’s triumph. The performers stressed their issues as persons of race, which drew much criticism (Mele and Healy, 27). Characters like Hamilton’s would not exist in a post-racial society; much alone face racist public criticism.

Supporting Topic: Racism is used as a financial tool in the post-racism society

Broadway is no longer indicative of the “diverse America” of 2015 and 2016. In the next two years, Titanic and Charlie and the Chocolate Factory will have all-white casts on Broadway. Miranda referred to the 2015–2016 Broadway season’s diversity as an “accident of time” (Seymour, 50).

Despite apparent success in the entertainment industry for minorities in 2016, there was no visible movement in minority representation and appreciation in the media in 2016. More than 95% of Tony Award nominees are Caucasian, which is somewhat less than the total number of Oscar nominations (Seymour). Only a few new musicals, television shows, and films have a significant minority cast (Hallemann, 45). Racial barriers have not vanished, but they are developing and being analyzed more rigorously than in the past.

Supporting Topic: Discrimination in visual minority art.

There is a continued comparison of minority art with other visual parts perpetuating the notion that they are dissimilar art pieces. Like minorities in art, Hamilton stood out in the media when contrasted to other works of visual art.

The media industry as a whole is used to “othering” movies, theatre, art, and other visual works that include a substantial proportion of minorities. Art that is deemed “diverse” or “pioneering for minorities,” such as Lin-Manuel Miranda’s Hamilton, is sometimes lauded exclusively for that distinction.

Supporting Topic: Supporting topic: Distinction of Art as Minority art

Minority art is a term that is often used. According to writer Erica Hunt, although most people do not identify art with the artist’s race when the artist is white, this is not the case when the artist is non-white. Miranda, a Puerto Rican, wrote Hamilton to reflect the cultural diversity he encountered growing up as a Latino. Miranda, his non-white co-stars, and the show as a whole were labelled “diverse.” Hamilton’s “otherness” adds to the “diversity” of the show.

While neither harsh nor pejorative, this term indicates why Hamilton is not representative of a post-racial America. Such a phrase does not exist in a post-racial society. Today’s “diversity” is seen as usual rather than deviant. A post-racial society would, in theory, dismiss the word “diversity” is redundant.

Supporting Topic: Continued pursuit of post-racial narrative

With its exceptional racial representation and controversial re-telling of American History, Hamilton emphasizes the necessity of diversity on Broadway and in American culture (Quiñónez, 68). As the musical shows, it is vital to include individuals of color in historical tales. The musical’s paradoxes and obstacles, as well as the public’s view, cast doubt on the idea that Hamilton represents post-racial accomplishment. Irrespective of its critical and economic success, the argument that Hamilton depicts the US resolving racial tensions is definitely wrong. 

A post-racial America does not mean that all injustices and structural barriers are gone for people of colour. The necessity for additional “Hamilton’s” and the need of sharing people of color’s tales alongside the Founding Fathers’ stories is highlighted in Hamilton (Walsh). Hamilton is a notable historical landmark along the way, but the goal is yet unknown.

Works Cited

Hallemann, Caroline. “How the Cast of ‘Hamilton’ Made Giving Back Their Mission.” Town & Country, 8 June 2016, www.townandcountrymag.com/leisure/arts-and-culture/news/a6439/hamilton-cast-gives-back/.

Herrera, Patricia. “Hamilton: An American Musical by Lin Manuel-Miranda.” Theatre Journal, vol. 73, no. 1, 2021, pp. 83–85, https://doi.org/10.1353/tj.2021.0014.

Mele, Christopher, and Patrick Healy. “‘Hamilton’ Had Some Unscripted Lines for Pence. Trump Wasn’t Happy.” The New York Times, 19 Nov. 2016, www.nytimes.com/2016/11/19/us/mike-pence-hamilton.html?_r=0.

PBS. “Hamilton’s America ~ about the Documentary | Great Performances | PBS.” Great Performances, 7 June 2016, www.pbs.org/wnet/gperf/hamiltons-America-documentary/5048/.

Quiñónez, Ariana. “The Cultural Significance of ‘Hamilton’s Diverse Cast.” Hypable, 10 Oct. 2015, www.hypable.com/hamilton-diverse-cast/.

Scherr, Arthur. “Alexander Hamilton and Slavery: A Closer Look at the Founder.” The Historian, vol. 83, no. 2, Apr. 2021, pp. 130–70, https://doi.org/10.1080/00182370.2021.1933693.

Seymour, Lee. “The Tonys Are Just as White as the Oscars – Here Are the #TonysSoWhite Statistics.” Forbes, 4 Apr. 2016, www.forbes.com/sites/leeseymour/2016/04/04/the-tonys-are-just-as-white-as-the-oscars-here-are-the-tonyssowhite-statistics/#77032c1f50a4.

Walsh, Shannon. “Hamilton: An American Musical Dir. By Thomas Kail.” Theatre Journal, vol. 68, no. 3, 2016, pp. 457–59, https://doi.org/10.1353/tj.2016.0081.

A report of the song México Lindo Y Querido by Jorge Negrete

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A report of the song México Lindo Y Querido by Jorge NegreteMéxico Lindo Y Querido is a song that was composed in the year 1921 by Chucho Monge. The song title translated into English means “Beautiful and beloved Mexico. This song has been made famous by Jorge Negrete, who is a famous actor and musician in Mexico. Jorge Negrete is the performer in this song, since he is the one singing the lyrics written by Chucho. The performer is seen to give the song a characteristic sense of nostalgia (Yarza, 2011).

The singing style in this song is the Traditional rancheras, which is a traditional style of singing Mexican songs. The decision by the performer to use guitars and violins in his performance plays a big role in making the music sound indigenously Mexican. The performer indeed is heard to be breathing properly and manages to maintain a constituent vocal by placing the vowels appropriately as he sang up to the end (Eimbcke, 2010).

There was actually use of falsetto in the song. The singer is heard singing notes higher than their normal and that is how I am sure that falsetto is well used in the song. The lyrics of the music seem to have quit some repetition which brings out the emphasis on the love for the Mexican land. For instance the line that says México Lindo Y Querido is often repeated in various stanzas of the music. The song is passionately sung and brings out the feeling of patriotism as well as pride in the land of Mexico by the Mexicans.

Imagery has been used in the song to bring out a better visual depiction in the song’s lyrics. For instance, there is a line that says, “que son como talismanes “that when translated in English, means “Yes, They are like talismans.” The comparison is what brings out the imagery in the song. The message in the song is that of patriotic love for Mexico and the will to always be associated with the land of Mexico. The type of instrumental accompaniment used by the performer is Acoustic accompaniment.

Works Cited

Eimbcke, Fernando. Revolución 10.10. 1. ed. México, D.F.: Instituto Mexicano de Cinematografía , 2010. Print.

Yarza, Francisco. México lindo y querido. 1a. ed. Barcelona: Astri, 2011. Print.